Thief: Deadly Shadows Review
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The series continues with a jaunt over to the console market, a move many rabid fans were desperately waiting for. Once again you play Garrett, master thief and all around bad ass. The familiar groups from the previous games show up as well, the devout Hammerites, the wild Pagans, and the enigmatic Keepers. Garrett works his way around a medieval city, attempting to unravel a mysterious doomsday prophecy, and stealing as much as he possibly can on the way. His missions take him to some very impressive environments as well, such as an abandoned asylum, a sunken citadel, and a haunted ship. While there is significant gameplay time, with no multiplayer or Xbox Live content download, it may suffer at longevity for some.
The game begins with a tutorial, of course, though I was impressed that it was an actual mission. I understand the need for tutorials in games, but it is always so much more rewarding when instead of jumping around on boxes in a warehouse, you're actually getting something done. The next mission is another linear crawl through a mansion, but after that the City with No Name opens up to you. From this point on, after you complete a mission you always return to your dingy apartment, and can explore the city as you choose. There are some entertaining respawns in this, for instance, I kept murdering the same neighbors over and over again.it must be hell to be a realtor in Garrett's neighborhood. Throughout the game there are different missions you can take for different factions, changing your standing with them, as well as the missions you undertake to complete the main quest. As you explore, you find various black market shops scattered around the different zones of the city, so Garrett can unload his stash, and buy some more gear.
The gameplay is great, though not phenomenal. Moving Garrett is fairly intuitive; he moves on the same Deus Ex/Unreal engine most gamers are already used to. Melee combat control can be awkward, not that it matters, since Garrett really isn't strong enough to go toe-to-toe with anyone in this game tougher than a drunken civilian. Most enemies are better off avoided, and when you have to strike, stealth attacks are the way to go, obviously. However, Garrett has plenty of escape gadgets, such as flashbombs and mines, to aid his getaway should a backstabbing or blackjacking go awry. Add some moss arrows, fire arrows, climbing gloves, and various other gadgets, and Garrett has a multitude of ways to approach a mission. As in most stealth games, the enemies follow predictable patrol routes making it easy to dispatch them, though there are some impressive AI additions, such as when a guard notices a window open or a chair moved.
My largest gripe with Thief is actually in the menu management. While the in-game item management is easy enough, using the black and white buttons to cycle through, if you wish to see your map or check your objectives, may God have mercy on your soul. It seems like it is a fairly easy interface, until you realize that the page of the map you wish to see is a second page of a sub-menu of a sub-menu. When you're lost in the Pagan tunnels, it is inconvenient and annoying, to say the least. I just imagine a guard coming around the corner to see Garrett crouched along the wall digging in his backpack with a flashlight.
The sound, however, is exquisite. I never got tired of hearing the sound of a well placed arrow-to-the-head, the shatter and hiss of a water arrow extinguishing a torch, or the satisfying chime after acquiring some hard earned loot. Even the sound of the picks scraping inside the lock helps add to the genuine feel of the game. The voice acting is also fantastic, with Steven Russell returning to provide Garrett's familiar gravelly voice. There is more than enough dialogue and accents amongst the different characters to give them authenticity and variety, although the odd dialogue and speech patterns of the Pagans make them all sound like Gollum's illegitimate children. Interestingly, the game is essentially devoid of a soundtrack.there is almost no music at all. Instead, there is an assortment of ambient sound, strange and creepy effects that permeate the levels. In some levels this heightens the tension to a point that I felt a compelling need to stop playing and go listen to some Chipmunk Christmas music or something.just to eliminate the sounds of moaning zombies and phantom babies.
While sneaking around the same bits of the city can seem a bit repetitive, I never got sick of the graphics. It's not that the detail in the buildings is particularly amazing, in fact it actually seems like they sacrificed detail for location size in certain areas, attempting to ease a little of the occasionally abysmal loading times. Instead, it was actually the lighting engine that kept me entertained. It is great just to watch Garrett sneak around in the shadows visible only by a slight hint of moonlight on the outline of his cloak. Or to experiment with different shadow scenarios you can create for a room by changing the position of a candle, or putting a box in front of the fire, creating that perfect ambush spot. While the framerate did seem to stutter at times, perhaps another casualty in the PC to console transfer, it never was dramatic enough to impede my enjoyment of the game. For the most part, the character animations are decent, if fairly standard. However, when Garrett is sneaking up stairs, he does a weird rhythmic bobbing that looks like he's dancing. This, of course, led to many loud choruses of the (I'm sneaking up the stairs) song.
Ultimately, this game is exactly what it needs to be.a medieval, supernatural stealth action game that pleases fans of the series as well as appeals to new players. Even avid PC fans might give it a shot on Xbox just to experience the tactile enjoyment of using the controller vibration to feel for the sweet spot when picking a lock. And after recently playing a plate-mail wearing, cutlass swinging uber-rogue in Dungeons and Dragons: Heroes, it felt good to be back in the shadows, where thieves belong.
